One of the biggest bands on the planet, Thirty Seconds To Mars is rooted in the relationship between two brothers. Acting in symbiotic nature to their familial status, it helps enrichand is in turn enriched bytheir relationship, embodying the evolution of their passions, tastes, and ambitions.
In this revelatory cover conversation Jared Leto opens up about the bands dynamic new album, and the radical shift in their art. With brother Shannon Leto growing as both a producer and a songwriter, Thirty Seconds To Mars are able to tackle challenges theyve long dreamed about, but never dared to embrace.
Utilising melody, electronic production, and no small degree of pop sensibility, their work condenses an encyclopaedia of information into a contagious run of breathlessly ambitious songwriting – both dark in intent and glaringly bright in tone. As the album title has it, Its The End Of The World, But Its A Beautiful Day…
Jared Leto tells us: Its true, simplicity is a skill but its also a discipline
Elsewhere in this issue youll enter encounter Atlanta pin-up Victoria Mont, and resonate with the insight of Brian Eno. Youll enter the world of afro-pop colossus Amaarae, and embrace the communal values of newgen junglist Nia Archives. Well witness the impact of viral risers No Guidnce, while AntsLive cements his role as a mercurial rap talent. Theres space to discern the club culture fantasies of Jayda G, and explore the soulful realm of much-tipped songwriter Mnelia.
Pre-Order your copy of Clash 125 now.
Issue 125 will be shipping from 5th August.
